I wonder why having laryngitis and losing one's voice also produces pains in the legs. Maybe it's an alliteration thing: larynx, legs, losing, lost...
I am reduced to an unintelligible croaking, so languishing (another L) under the covers at home seems the sensible option.
If I lived in this hermetically sealed Cold War house, designed for the Ideal Home Exhibition of 1956, I might avoid catching anything. On the other hand, I would have to wear knitted nylon outfits like these designed by Teddy Tinling
and I might wake up with marvellously coiled hair.
This House of the Future is featured in the Cold War Modern exhibition at the Victoria and Albert Museum. The exhibition is excellent. You really feel you are getting your money's worth, as the spaces get larger and larger with ever more intricate and bizarre pieces and displays in each room. Spying and paranoia start to mingle with (then) ultra-modern design. Teddy Tinling's designs form part of my favourite room, which also holds space-rocket inspired sculptures flashing light sparks off moving parts, maquettes of strange mountain-top buildings in Eastern Europe, and attempts to achieve a utopian ideal.